Sahara Vases

As appeared in July/August 2010 issue of Potterymaking Illustrated

As seen in July/August 2010 issue of Potterymaking Illustrated magazine

Ceramic Artist & Sahara Vase Artist, Judy Jensen, talks about her ceramic journey and excitement over AMACO®’s Sahara glaze line:

Potters describe me as ‘an artist who plays in clay.’ My first class in ceramics was at the Tyler School of Art in Philadelphia with Robert Winokur and Rudy Staffel. But it was only for a semester and I went on to study printmaking, sculpture, drawing and painting there. After that, I attended the Antioch College satellite school in Columbia, MD where, to fulfill a science requirement, I studied the chemistry of glazes. Since then, I’ve never really used commercial glazes. So, it’s surprising and enlightening to see my little pots with the Sahara glazes on them. It made me really want to try them!

Little vases are my antidote to throwing big pots. I originally thought that kids would buy them because they’re cute and inexpensive but I find its really the adults who want them.

Ceramic Artist Judy Jensen
Ceramic Artist Judy Jensen

P.S. I just painted a slew of bowls with the Velvet Underglazes, to go in the gas kiln. In my last cone 10 firing they looked GREAT in a number of applications, so I did a lot more. Having fun. I also broke down and bought two colors of AMACO’s Sahara cone 6 glazes to use on my little vases. So the ad is already working. -Judy

U.S. Postal: P.O. Box 242, Rochester VT 05767
Shipping: 61 North Main Street, Rochester VT 05767

Judy Jensen’s website: www.judyjensen.com

For more information on AMACO®’s Sahara glaze line, Click here!TEXT

Click on the Sahara Vase samples for the enlarged imageTEXT

HF-1 Black

HF-1 Black

HF-9 Zinc Free Clear

HF-9 Zinc Free Clear

HF-10 Clear

HF-10 Clear

HF-11 White

HF-11 White

HF-12 Clear Satin

HF-12 Clear Satin

HF-13 White Matt

HF-13 White Matt

HF-14 Oatmeal

HF-14 Oatmeal

HF-17 Waxy White

HF-17 Waxy White

HF-18 Gray

HF-18 Gray

HF-21 Ultramarine Blue

HF-21 Ultramarine Blue

HF-22 Textured Blue

HF-22 Textured Blue

HF-23 Textured Gray Blue

HF-23 Textured Gray Blue

HF-24 Teal Blue

HF-24 Teal Blue

HF-26 Turquoise

HF-26 Turquoise

HF-30 Brown

HF-30 Brown

HF-31 Rust Brown

HF-31 Rust Brown

HF-32 Textured Tan

HF-32 Textured Tan

HF-36 Textured Amber Brown

HF-36 Textured Amber Brown

HF-41 Dark Green

HF-41 Dark Green

HF-50 Glossy Burgundy

HF-50 Glossy Burgundy

HF-51 Peach

HF-51 Peach

HF-52 Hazy Pink

HF-52 Hazy Pink

HF-53 Lavender

HF-53 Lavender

HF-54 Purple

HF-54 Purple

HF-55 Coral Gloss

HF-55 Coral Gloss

HF-56 Red Gloss

HF-56 Red Gloss

HF-57 Coral Matt

HF-57 Coral Matt

HF-58 Red Matt

HF-58 Red Matt

HF-60 Yellow

HF-60 Yellow

HF-62 Matt Yellow Oatmeal

HF-62 Matt Yellow Oatmeal

HF-63 Textured Almond

HF-63 Textured Almond

George Debikey, Ceramic Engineer, Ceramic Artist and former Director of Technical Servies at AMACO for 33 years explains AMACO®’s Sahara Glaze Series:

The Sahara High Fire Glaze Series is a combination of different types of glazes producing a variety of surface effects. In this series you will find glazes that are so completely different that they seem to be from different glaze series. The variations between them range from gloss transparent glazes—that work great on textured porcelain and when fired show beautiful light to dark shadings of the glaze color as the glaze flows into the crevices—to glazes that are completely matt and opaque, which do not flow at all during firing and result in a solid surface. There are also those glazes that are textured and that produce a beautiful slight flow during firing giving the glaze wonderful depth of surface reminiscent of cone 10/11 (2381ºF, 1305ºC/2399ºF, 1315ºC) reduction glazes.

The Sahara HF glazes are made to fire to cone 5/6 (2205 ºF, 1207ºC/2269ºF, 1243ºC) in oxidation (in an electric kiln). However, with the exception of HF-26(Turquoise), they can also be fired in a reduction atmosphere resulting in different and beautiful surface effects.

Even though the application of these glazes can be done over bone dry greenware for single firing, it is easier to apply them over low fired bisque, in order to avoid the risk of collapsing the greenware piece due to excess water absorbed when glazing.

Glazes in liquid form are ready to use while dry powdered glazes are mixed with water to the consistency of light cream. The Sahara glazes can be applied by brushing, dipping or pouring. The Sahara glazes can be applied next to each other with a slight overlap in order to let them flow slightly into each other. Layering two or more Sahara glazes on top of each other can create infinite effects depending on the different glazes you are using. The Sahara HF glazes are numerous: you can increase their number many times and their surface effects by overlapping them. Always test fire any combination that you are using before applying it on a good piece.

The Sahara HF glazes are excellent for use on dinnerware and utilitarian ware. Use over any of the AMACO cone 5/6 (2205ºF, 1207ºC/2269ºF, 1243ºC) clay bodies whether porcelain or stoneware or any other manufacturer’s cone 5/6 (2205ºF, 1207ºC/2269ºF, 1243ºC) bodies. At these temperatures the bodies are dense and strong and can withstand utilitarian use. These glazes are also lead-free and made to produce a strong durable glass surface—perfect for dinnerware.

Attention should be given to HF-26 (Turquoise) and HF-32 (Textured Tan). These glazes should be applied thicker than usual. Since everyone’s glaze application is different, it is recommended that you test fire every glaze before using it on a final piece. Also, HF-36 (Textured Amber Brown) needs to be fired to cone 4 (2161ºF, 1183ºC) in order to obtain texture.

HF-9 Zinc Free Clear glaze was developed to especially take care of underglaze decorations. A Zinc free clear glaze is very important for underglaze decorations because the presence of Zinc in a clear glaze may change the appearance of certain colors, such as green, black, gray etc. With HF-9 Zinc Free Clear colors will be authentic. Check the Underglaze firing chart for color difference at cone 5/6 (2205ºF, 1207ºC/2269ºF, 1243ºC). Its firing range is from cone 4 (2161ºF, 1183ºC) to cone 6 (2269ºF, 1243ºC).


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